October 7, 2011

Review: Red Glove

Red Glove by Holly Black
YA, Sci-Fi/Fantasy, 325 pages, Margaret K. McElderry
Goodreads | IndieBound | Barnes & Noble
  • Why I read it: series I love, mobsters, film noir, a world I can't get enough of
  • Disclosure: Checked out a copy from my local library. Yay!
Spoiler alert! Nothing major, but the blurb assumes you're already aware of the twist from the first book in the series, White Cat. If you haven't, get on it! You can find my review here.


Goodreads blurb:
Curses and cons. Magic and the mob. In Cassel Sharpe's world, they go together. Cassel always thought he was an ordinary guy, until he realized his memories were being manipulated by his brothers. Now he knows the truth—he’s the most powerful curse worker around. A touch of his hand can transform anything—or anyone—into something else.
That was how Lila, the girl he loved, became a white cat. Cassel was tricked into thinking he killed her, when actually he tried to save her. Now that she's human again, he should be overjoyed. Trouble is, Lila's been cursed to love him, a little gift from his emotion worker mom. And if Lila's love is as phony as Cassel's made-up memories, then he can't believe anything she says or does.
When Cassel's oldest brother is murdered, the Feds recruit Cassel to help make sense of the only clue—crime-scene images of a woman in red gloves. But the mob is after Cassel too—they know how valuable he could be to them. Cassel is going to have to stay one step ahead of both sides just to survive. But where can he turn when he can't trust anyone—least of all, himself?
Love is a curse and the con is the only answer in a game too dangerous to lose.
Judged by its cover: Aww, come on, publishers. Why is it so hard to avoid the crappy photoshoots and give us cool illustrated covers like the UK editions get? Pretty please? If I hadn't known how awesome this series was from the get-go, there's no way in hell I would have picked this up.

The Long...

If White Cat was last year's spring fling, then Red Glove and I are going all the way. Believe me when I say that I have never, ever read a YA series with a concept this original and yet mindbogglingly simple: the ability to work curses as a heritable condition. Black takes every ramification of this ability to its logical conclusion, from associations for worker rights (not unlike gay-straight alliances, inadvertent "outings" and all), to an ungloved hand being treated as more dangerous than a gun.

With its mobsters, constant double-crosses, and good old-fashioned gumshoe-style mysteries, this is the series that jumpstarted my recent addiction to film noir and especially neo-noir; Rian Johnson's Brick in particular. There's something terrifically thrilling about teens solving crimes, not in a campy Scooby Doo way, but in a deadly serious one. When characters feel like artful archetypes instead of three-dimensional people, when high school is a battleground and no one can be trusted, you end up with a pretty decent metaphor for non-curse-working teen years, too.

The relationship between our conflicted, double-crossing detective hero Cassel and our hard-as-nails femme fatale, Lila, stands out as one of the strongest parts of the book, mostly because it's content to lurk as driving background tension instead of stealing center stage. Every time you think the stakes couldn't possibly get any higher, they do, and I found myself literally in white-knuckled fists as I read (especially at the ending). It's difficult to watch two beloved characters come into their own and grow so far apart at the same time, and kudos to Black for not hitting a single false note between them.

We get to know the supporting characters better in this installment, too, and as I mentioned earlier, the noir archetypes are artful. Noir is the only genre I can think of where deeply nuanced and original character studies actually detract from the story instead of adding to it, and Black takes full advantage of this by giving us just enough conflict and depth to fall in love with the characters without ever overcomplicating things. There are an awful lot of tricky dames and feds with an agenda and back-stabbing mob bosses to be found here, and that's exactly as it should be.

I really can't say enough good about this series, and especially this book. Holly Black is a treasure, and I'm on tenterhooks waiting for Black Heart!

...and the Short.

A stunningly unique noir novel that kept me guessing till the very end; a solid installment in one of my favorite YA series of all time. Not to be missed!
 
The Final Word: Loved it!

Red Glove is available now.

October 6, 2011

Review: Dreamwalk

Dreamwalk by Sarah MacManus
YA/Adult crossover, Paranormal Romance, pagecount n/a (ebook only), Young Rebel Publications
Goodreads | Barnes & Noble | Author's website

  • Why I read it: time travel, you just got incepted, hot musicians
  • Disclosure: Received a review copy from the author. Thanks!

Goodreads blurb:
DREAMWALK is a romantic mixed beat of time travel and mythology for both teens and adults. After the death of her mother, Chloe Hawthorn is haunted by terrifying nighttime hallucinations. Determined to take control of her dreams, she uses them to find Shane Anderson, a charming and troubled musician whose online videos have been holding her in thrall. She finds him in the Dreamtime, sweating out heroin detox in a run-down rehab center. Chloe sets out to find Shane in the waking world and discovers her dreams have been taking her into the past. Horrified, Chloe realizes Shane doesn't survive his addictions. In order to save him, Chloe must master her Australian mother's legacy — the secret of walking the Dreaming through time. But what price will Chloe pay for this Dreamwalk and will she save Shane only to lose him forever?
Judged by its Cover: Interesting concept, but the fonts are terrible. It's an ebook on a shoestring budget, though, so I guess it's forgiven.

The Long...


Sometimes the mythology in paranormal romance makes me want to bash my head against the nearest hard surface, repeatedly, until it makes sense and/or goes away. Dreamwalk would be one of those times. On one hand, I was thrilled to see an indie author tackle a paranormal romance that involved supernatural powers instead of the same old tired supernatural creatures. On the other hand, a painfully Magical Aborigine (link to Nnedi Okorafor's excellent essay) approach to the concept of Dreamtime was enough to ruin what was otherwise an interesting, suspenseful romance. What to do?

Much like S.M. Reine's Six Moon Summer, the story opened with a rich white spoiled brat of a protagonist who finds romance in a beautiful, mysterious boy no one else knows about whom she must fight to save. Unlike in Six Moon Summer, though, Dreamwalk never developed in a story I cared about beyond chapter-to-chapter cliffhangers. Sure, Shane is actually dead right now and Chloe has to go back and keep him from overdosing and blah blah blah. Sure, Chloe's mother was actually a Mystical White Woman entrusted by the Aborigines with the secret of Dreamtime. What's it to me?

Also memorably discomfiting was the character of Shane, who as a hot and troubled musician along the lines of Cole St. Clair from the Shiver trilogy should have been seriously swoony, but was in fact a "meh" the whole way through. One line I remember in particular from my Goodreads notes: "Not sure if I enjoy reading a guy described as having the 'raw angles of a roller coaster hipbone and a softly furred belly' or if it just grosses me out." And as I mentioned in another note further in, he's also a chauvinistic asshat. Not exactly a dreamboat, and Chloe wasn't a heroine I could root for beyond a few particularly suspenseful scenes, either.

Most frustrating of all, those suspenseful scenes were almost enough to make up for the rest of the book. Had MacManus stuck to a straighter suspense sort of story - had Chloe saving a family member or friend instead of a boyfriend, maybe - I could see this being a story I could get behind. Instead, there's a lot of muddled-up romance and after-school-special drug problems and nigh intolerable cultural appropriation, and that doesn't go down easy no matter how much of an adrenaline rush it is.

...and the Short.


Insufferable characters + insufferable romance + insufferable cultural appropriation = a pretty much insufferable novel all around, despite the author's knack for keeping the pages turning.


The Final Word: Not for me.


Dreamwalk is available now!

October 5, 2011

Vampires: some scattered thoughts

I'm reading Fledgling by Octavia E. Butler for the first time. This means two things:
  1. I'm saddened once again that such a brilliant writer was taken from us so soon (I am very selfishly dreading the day I run out of new work of hers to read), and
  2. I'm thinking about vampires. A lot.
Here's the summary:
 Fledgling, Octavia Butler's new novel after a seven year break, is the story of an apparently young, amnesiac girl whose alarmingly inhuman needs and abilities lead her to a startling conclusion: She is in fact a genetically modified, 53-year-old vampire. Forced to discover what she can about her stolen former life, she must at the same time learn who wanted--and still wants--to destroy her and those she cares for and how she can save herself. Fledgling is a captivating novel that tests the limits of "otherness" and questions what it means to be truly human.
It's so interesting to read an adult sci-fi novel released about the same time as Twilight (and thus could not possibly have intentionally intersected with Twilight in mythology) and is also so much more well-thought-out than Twilight and to notice the parallels between the two.

Like the Cullens and the rest of Meyer's "good" vampires, Butler's Ina (vampires) live in family clans. Also like the Cullens, they have developed consciences, though Ina feed themselves through relationships with symbionts instead of by hunting animals. They both also have their own archaic judicial systems.

They both ask me different questions: Butler's Ina on race, polyamorous relationships, slavery, and age; Meyer's vampires on feminism, marriage, religion, and domestic abuse. And in the back of my ill, ill brain I've been wondering what it is about vampires that makes them so conducive to discussions of the big questions; YA, romance, sci-fi or anywhere in between.

What do you think? Please sound off in the comments!

October 3, 2011

Review: Miss Peregrine's Home for Peculiar Children

Miss Peregrine's Home for Peculiar Children by Ransom Riggs
YA, Horror, 352 pages, Quirk Publishing
Goodreads | IndieBound | Barnes & Noble

  • Why I read it: Creepy crawly, little kids that freak me out, WWII, let's do the Time Warp again
  • Disclosure: Received a review copy from the publisher. Thanks!

Goodreads blurb:
A mysterious island.An abandoned orphanage.
A strange collection of very curious photographs.
It all waits to be discovered in Miss Peregrine’s Home for Peculiar Children, an unforgettable novel that mixes fiction and photography in a thrilling reading experience. As our story opens, a horrific family tragedy sets sixteen-year-old Jacob journeying to a remote island off the coast of Wales, where he discovers the crumbling ruins of Miss Peregrine’s Home for Peculiar Children. As Jacob explores its abandoned bedrooms and hallways, it becomes clear that the children were more than just peculiar. They may have been dangerous. They may have been quarantined on a deserted island for good reason. And somehow—impossible though it seems—they may still be alive.
A spine-tingling fantasy illustrated with haunting vintage photography,Miss Peregrine’s Home for Peculiar Children will delight adults, teens, and anyone who relishes an adventure in the shadows.
Judged by its Cover: Definitely a favorite of mine. It's weird, creepy, and eye-catching - perfect for the book!


The Long...


When I first received the review request for this book, I turned it down. Then I saw a glowing blurb from John Green. And while usually a blurb is not enough to sway me, this time it was just enough to make me change my mind and give this one a chance; a chance which it immediately took advantage of by grabbing me by the throat and never letting go. So thank you, John Green, because without your expert guidance I almost certainly would have missed out on one of my favorite releases of 2011!

If anyone wants an example of small press done right, then this book is it. It combines all of the advantages of small press publishing - unusual formats, off-trend stories, bizarre or creepy content that mainstream publishers might not be willing to risk - with meticulous editing and beautiful writing that made this story shine to the very best of my potential. My biggest complaint with small press and indie publishing is that the books often fall just short of what they could have been. Miss Peregrine's, however? Pitch-perfect in every way.

The text itself, full of lovable and freaky characters, a riveting mystery, and a time traveling twist reminiscent of the Wyrd Museum trilogy I read and re-read maybe a dozen times between grades four and six, would have been more than enough for a glowing review from me. It's the antique photos, though, that really sent shivers down my spine, and made this book not just a good debut, but a great one. It's thrilling to see an author with this much vision show up on the YA scene, and while I know I say I'll keep tabs on maybe dozens of debut authors, Ransom Riggs is one that I will really be keeping my eye on.

My biggest complaint is, as usual, the cliffhanger ending. It's such an insecure way to try and keep a reader interested, in my opinion - create a world I want to live in, and I'll be happy to keep reading your series, cliffhanger or no cliffhanger - and it's showed up in YA way too often post-Hunger Games. Still, this felt like a cliffhanger a la the class YA adventure books I grew up with (the Inkheart books by Cornelia Funke come to mind), so I can forgive it - mostly. It's going to be a long wait until the sequel releases in Spring 2013.

Besides the pictures (and mostly because of them), what stands out to me about this book most of all is that it wasn't afraid to be leave-the-light-on-before-bed-dive-under-the-covers scary. Polish grandpa suffers a gory death by nightmarish monsters within the first 50 pages? F*^&ing terrifying, and I don't mean that sarcastically. I can't think of a novel I've read this year that scared me more, in a good way. Horror is probably the most neglected of all the YA subgenres, and if that means I'm missing out on stories like this, then that's pretty depressing.

...and the Short.


Genuinely terrifying and full of lovable and freaky characters, Miss Peregrine's makes for a terrific time traveling mystery not to be missed.

The Final Word: Loved it!


Miss Peregrine's Home for Peculiar Children is available now!

October 2, 2011

In My Mailbox, super-duper September edition!

In My Mailbox is a meme about books bought, borrowed, and otherwise (legally) received hosted by Kristi of The Story Siren.

The past month or so has been a pretty fantastic one for this bibliophile! Not only did I get to go see Scott Westerfeld talk and sign books last Saturday, I also got to pay a visit to The Red Balloon Bookshop in St. Paul. It recently changed hands and the new owners are very interested in teen outreach and expanding their YA section, so I'll be helping out by reviewing some of their ARCs whenever I'm in the Twin Cities area, and even writing up shelf talker sheets for some of my favorites! (So if you ever want to catch a glimpse of my crappy handwriting in person, now you know where to go.)

Yep. Indie bookstores pretty much make my life. Be sure to keep supporting yours!

Bought (finished copies):

Goliath by Scott Westerfeld (Goodreads)

From the Red Balloon Bookstore (ARCs):

Amplified by Tara Kelly (Goodreads)
The Mephisto Covenant by Trinity Faegen (Goodreads)
Stick by Andrew Smith (Goodreads)
Witch Eyes by Scott Tracey (Goodreads)
Dead to You by Lisa McMann (Goodreads)
Sweet Venom by Tera Lynn Childs (Goodreads)
Everneath by Brodi Ashton (Goodreads)
Unraveling Isobel by Eileen Cook (Goodreads)
My Name is Mina by David Almond (Goodreads)
Wintertown by Stephen Emond (Goodreads)
Chasing the Nightbird by Krista Russell (Goodreads)


From the library:

The Marbury Lens by Andrew Smith (Goodreads)
Fledgling by Octavia E. Butler (Goodreads)

What was in your mailbox this week? Feel free to leave your links in the comments!

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